E-auction 333-248707 - fme_412525 - HENRY III Médaille, Alexandre (Henri III) franchissant le Tigre, refrappe
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SENZA COSTI PER GLI ACQUIRENTI.
SENZA COSTI PER GLI ACQUIRENTI.
| Valutazione : | 100 € |
| Prezzo : | 31 € |
| Offerta maxima : | 48 € |
| Data di fine vendita : | 02 settembre 2019 18:12:30 |
| partecipanti : | 4 partecipanti |
Tipo : Médaille, Alexandre (Henri III) franchissant le Tigre, refrappe
Data: (1579)
Nome della officina / città: France
Metallo : bronzo
Diametro : 43 mm
Asse di coniazione : 12 h.
Incisore PILON Germain - DE HERY Claude
Peso : 38 g.
Orlo : lisse + corne BRONZE
Commenti sullo stato di conservazione:
Superbe médaille moderne avec une agréable patine
Diritto
Titolatura diritto : HENRICVS III D G FRANCORVM ET POL REX.
Descrittivo diritto : Buste lauré, drapé et cuirassé d’Henri II à droite.
Rovescio
Titolatura rovescio : IMAGO TALIS ALEXADRI TIGRIN SVPERANTIS.
Descrittivo rovescio : Le roi paradant à cheval à gauche.
Commento
Refrappe avec le poinçon corne, d’après 1880, sans signature de graveur mais dont l’original est attribué à Claude de Hery et Germain Pilon. Ce revers a aussi été utilisé associé à un avers au type et au nom de Louise de Lorraine.
Claude de Héry est un maître orfèvre à Paris, tailleur et graveur général des monnaies de France, et mort à Paris en mars 1582.
Germain Pilon, né vers 1528 à Paris et mort en 1590 dans la même ville, est l'un des plus importants sculpteurs de la Renaissance française. Il a été le sculpteur des tombes des rois français du XVIe siècle. Nommé contrôleur des Poinçons et Monnaies du roi, il apprend également l'art de la fonte et du ciselage du bronze. De 1558 à sa mort, il travaille pour la Cour de France, réalisant les monuments funéraires de François Ier et d'Henri II, les gisants de ce dernier et de Catherine de Médicis, ainsi que les monnaies royales, la statuaire de la chasse de Sainte Geneviève. Il est également un sculpteur apprécié de l'aristocratie française, là encore spécialisé dans l'art funéraire. Dans son atelier travaillent ses fils, ainsi que Mathieu Jacquet, lesquels assurent le succès du style de Pilon sur plusieurs décennies.
Re-struck with the horn punch, after 1880, without engraver's signature but the original is attributed to Claude de Hery and Germain Pilon. This reverse was also used in association with an obverse bearing the type and name of Louise de Lorraine.
Claude de Héry was a master goldsmith in Paris, cutter and general engraver of French coins, and died in Paris in March 1582.
Germain Pilon, born around 1528 in Paris and died in 1590 in the same city, is one of the most important sculptors of the French Renaissance. He was the sculptor of the tombs of the French kings of the 16th century. Appointed controller of the King's Hallmarks and Coins, he also learned the art of casting and chiseling bronze.. From 1558 until his death, he worked for the Court of France, creating the funerary monuments of Francis I and Henry II, the recumbent statues of the latter and Catherine de Medici, as well as the royal coins, the statuary of the hunt of Saint Genevieve. He was also a sculptor appreciated by the French aristocracy, again specializing in funerary art.. In his workshop, his sons and Mathieu Jacquet worked, ensuring the success of Pilon's style over several decades.
Claude de Héry est un maître orfèvre à Paris, tailleur et graveur général des monnaies de France, et mort à Paris en mars 1582.
Germain Pilon, né vers 1528 à Paris et mort en 1590 dans la même ville, est l'un des plus importants sculpteurs de la Renaissance française. Il a été le sculpteur des tombes des rois français du XVIe siècle. Nommé contrôleur des Poinçons et Monnaies du roi, il apprend également l'art de la fonte et du ciselage du bronze. De 1558 à sa mort, il travaille pour la Cour de France, réalisant les monuments funéraires de François Ier et d'Henri II, les gisants de ce dernier et de Catherine de Médicis, ainsi que les monnaies royales, la statuaire de la chasse de Sainte Geneviève. Il est également un sculpteur apprécié de l'aristocratie française, là encore spécialisé dans l'art funéraire. Dans son atelier travaillent ses fils, ainsi que Mathieu Jacquet, lesquels assurent le succès du style de Pilon sur plusieurs décennies.
Re-struck with the horn punch, after 1880, without engraver's signature but the original is attributed to Claude de Hery and Germain Pilon. This reverse was also used in association with an obverse bearing the type and name of Louise de Lorraine.
Claude de Héry was a master goldsmith in Paris, cutter and general engraver of French coins, and died in Paris in March 1582.
Germain Pilon, born around 1528 in Paris and died in 1590 in the same city, is one of the most important sculptors of the French Renaissance. He was the sculptor of the tombs of the French kings of the 16th century. Appointed controller of the King's Hallmarks and Coins, he also learned the art of casting and chiseling bronze.. From 1558 until his death, he worked for the Court of France, creating the funerary monuments of Francis I and Henry II, the recumbent statues of the latter and Catherine de Medici, as well as the royal coins, the statuary of the hunt of Saint Genevieve. He was also a sculptor appreciated by the French aristocracy, again specializing in funerary art.. In his workshop, his sons and Mathieu Jacquet worked, ensuring the success of Pilon's style over several decades.







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